Shakespeare on screen

The Henriad
Sarah HATCHUEL,Nathalie VIENNE-GUERRIN
Date de publication
25 août 2008
Résumé
Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.
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Date de première publication du titre 25 août 2008
ISBN 9782877754545
EAN-13 9782877754545
Référence 112354-27
Nombre de pages de contenu principal 360
Format 16 x 24 x 1.5 cm
Poids 583 g

Notes on the Contributors

Sarah HATCHUEL and Nathalie VIENNE-GUERRIN — Preface

Charles R. FORKER — Richard II on the Screen

Michael HATTAWAY — Politics and Mise-en-Scène in Television Versions of King Richard II

Lois POTTER — The Royal Throne of Kings and the American Armchair: Deconstructing the Hallmark Richard II

Anthony DAVIES — Falstaff's Shadow

Nathalie VIENNE-GUERRIN — Flyting on Screen: Insults in Film Versions of Henry IV

David MARGOLIES — Henry V and Ideology

Warren CHERNAIK — The Death of Bardolph: Branagh and Olivier rewrite Henry V

James HIRSH — Shakespeare's Stage Chorus and Olivier's Film Chorus

Sarah HATCHUEL — The Battle of Agincourt in Shakespeare's, Laurence Olivier's, Kenneth Branagh's and Peter Babakitis's Henry V

Ramona RAY — Hegemonic Masculinity, the Roman Epic and Kenneth Branagh's Henry V

Mariangela TEMPERA — "Only about Kings": References to the Second Tetralogy on Film and Television

José Ramón DÍAZ FERNÁNDEZ — The Henriad on Screen: An Annotated Filmo-Bibliography

Abstracts

Filming plays from a tetralogy of history plays implies specific problems and strategies. The papers in this volume show that the plays are parts of a series, and can hardly be staged or filmed without referring to one another. What does the big screen bring to the representation of history, battles and national issues? When do ideological interpretations stop being triggered by the text itself? By deciphering the different ways in which meaning is created and ideology is conveyed, whether it be through specific aesthetics, performances, intertextuality or cultural codes, the papers in this volume all take part in the on-going exploration of what Shakespeare's contrasting afterlives keep saying, not only about the dramatic texts but also about ourselves.

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