L' L'Époque Conradienne, volume 41/2017-2018

Nathalie MARTINIÈRE
Collection
Journal of the French Conrad Society
Editeur
Presses universitaires de Limoges
Date de publication
25 avril 2019
Résumé
Conrad was an experimenter, playing with forms, genres, narrative modes, literary conventions, on which a transnational approach sheds a new light, underlining aspects of his texts like the presence of a variety of languages, cultures, genres, traditions or his ideological ambiguity.It is such an approach that motivated the international conference in Limoges (France) held on 21-22 September, 2017. Contributors to this volume of L'Epoque Conradienne have considered Conrad and his works from a transnational perspective in order to explore how we read them both as aesthetic and ethical artefacts nowadays, and why we find the questions they broach so often so close to us.
FORMAT
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Actuellement Indisponible
ISSN 02946904
Crédit
Date de première publication du titre 25 avril 2019
ISBN 9782842877316
EAN-13 9782842877316
Référence 123152-29
Nombre de pages de contenu principal 176
Format 15.5 x 24 x 1 cm
Poids 278 g

Nathalie Martinière, "Between Texts and Theory: Transnational Conrad".

I – Conrad as "English writer"  and Transnational Author

Linda Dryden, "Joseph Conrad:  Transnational Identity in the Fictions of Empire";
Robert Hampson, "'Books may be written in all sorts of places': Conrad's Transnational Beginnings";
Richard Ambrosini, "1894: Joseph Conrad's Annus Mirabilis";
Carola M. Kaplan, "Cosmopolitan Conrad: Moving Between Cultures in 'Karain' and Lord Jim ";
Tania Zulli, "Transnational Language and Transitional Narrative Style in Conrad's 'Karain"';
Jeremy Hawthorn, "Blank Spaces and Hollow Men: Determinate Absences and Absent Determinants  in Conrad's Fiction".

II – Multidisciplinary Approaches

Andrew Francis, "Accommodating Space, Time, and Culture: Reading across Cultures and Colonialism in the Hotels of Conrad's Asian Fiction";
Padmini Mongia, "Domesticity, Food, and Gender in 'Falk'";
Josiane Paccaud, "The Transnational Language of Dreams in Conrad's Fiction";
Kaoru Yamamoto, "Burns' Burst of Laughter: 'The Shadow-Line' between the Arts".

III – Joseph Conrad,  a Contemporany Icon

Ewa Kujawska-Lis, "Joseph Conrad and the Vietnam War Literature: Intertextuality, Transnationality and Nationality";
Riccardo Capoferro, "Representing Conrad in European Graphic Narratives".

Conrad was an experimenter, playing with forms, genres, narrative modes, literary conventions, on which a transnational approach sheds a new light, underlining aspects of his texts like the presence of a variety of languages, cultures, genres, traditions or his ideological ambiguity.It is such an approach that motivated the international conference in Limoges (France) held on 21-22 September, 2017. Contributors to this volume of L'Epoque Conradienne have considered Conrad and his works from a transnational perspective in order to explore how we read them both as aesthetic and ethical artefacts nowadays, and why we find the questions they broach so often so close to us.

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