Middleton Murry, Catherine Carswell, and the Boundaries of Memoir, Keith Cushman
    A Singular Response to Sexual Ambiguity: Lawrence's Friendship with E.M. Forster, Earl Ingersoll
    The Plurality of Selves and Voices in D.H. Lawrence's Early Writing: Trespassing the Boundaries, Natalya Reinhold
    Farewell to Romantic Ontologies, Sex, Sacrifice and the Animal Body in D.H.Lawrence's The Trespasser, Gerald Doherty
    The Lawrentian Poetic "I": a voice "with(out) a mask"?, Elise Brault
    "A strange, unstable equilibrium": the "shifty devil" of Self and Place in the Letters, Oliver Taylor
    Andre Green's "The Dead Mother" and D.H. Lawrence's "The Rocking-Horse Winner", Elizabeth Fox
    Lawrence, Katherine Mansfield and Free Indirect Discourse, Neil Roberts
    The Subversion of Seriousness in Women in Love, Stefana Roussenova
    "0-1-2 ": Monologism vs. Dialogism in the Political Discussions with Willie Struthers and Kangaroo, Shirley Bricout
    From Fragmentation to Unity, from Plurality to Singularity: a Futurist Approach to Lawrence, Brigitte Macadré
    John Thomas and Lady Jane on Screen, Jacqueline Gouirand
    Lawrence and the Changing Side of the Triangle - the Gamekeeper - in the Chatterley Novels, Nicola Ceramella
    Changing Perspectives in Sea and Sardinia, Marija Kneževic
    A Prolegomena to the Intertextual Study of D.H. Lawrence and Rainer Maria Rilke, Matthew McNees
    Bathed in the Word of the Lord? Lawrence, Bunyan and the Bibline, Peter Preston