Nouveauté

Ireland in the Concert of Nations

Karin FISHER,Élodie GALLET,Thierry ROBIN
Collection
Symposia
Editeur
Presses universitaires de Caen
Date de publication
8 juillet 2025
Résumé
This volume explores different aspects of Ireland, its history and cultural as well as artistic expressions, around the theme of the concert of nations, since independence and the partition of the country back in 1922. The angle chosen is at once historical, political and aesthetic. The two parts of the book – the political and the artistic – reflect the multidisciplinary approach of Irish studies in France, and the desire to give substance to this theme well beyond the most obvious question of international relations between states.The book follows in the footsteps of the Decade of Commemorations that marked the centenary of the events ranging from 1912 to 1923 in Ireland. It bears witness to the abundant historiographical and creative activity of the early twenty-firs ... Lire la suite
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Actuellement Indisponible
Crédit 2025
Date de première publication du titre 8 juillet 2025
ISBN 9782381852744
EAN-13 9782381852744
Référence 129206-45
Nombre de pages de contenu principal 242
Format 16 x 24 x 1.4 cm
Poids 429 g

Karin Fischer, Élodie Gallet et Thierry Robin : Introduction

Negotiating History and Decolonisation

Heather Laird : Remembering Lost Trajectories : Reflections on Commemoration and Decolonisation on the Centenary of 1922

Christophe Gillissen : The first steps of the Irish State on the World Stage: Paris, 1919-1923

Mícheál Ó Fathartaigh et Liam Weeks : A Flag of Inconvenience ? Reaction to Irish Independence in the British Empire in 1922

Olivier Coquelin : The Long Road to the Emergence of a Left-Right Divide in Ireland, 1922-2020 

Nathalie Sebbane : Holocaust Education and Remembrance in Ireland : Lessons Learnt ?

Bernard Cros : The 1969-1970 South African Rugby Tour of the British Isles as a Turning Point in the Politics of Confrontation and Neutrality in Ireland

Marie-Violaine Louvet : The Republic of Ireland and the East Timor Question, 1975-2002 : What Score Was Played in the Concert of Nations?

Projecting Irish identities in Literature and Arts

Fiona McCann : Between Ireland and India : Affective Political Agencies in Cauvery Madhavan's The Tainted (2020)

Máirtín Coilféir : Irish-Language Translation : A Concert of Nations ?

Bertrand Cardin : "O Lord what a row" – Molly Bloom, a One-Woman Orchestra

Lea Sinoimeri : Heterolingualism and Transnational Poetics in Melatu Uche Okorie's Short Fiction

Helen Penet  : "A story retold" : Photography and Rewriting the Past in Henrietta McKervey's What Becomes of Us

Fabrice Mourlon : Branagh's Belfast : A Message to the World

Geneviève Guétemme : The Inter-Linguistical Matrix of Tree / Crann

Erick Falc'her-Poyroux  : A Concert for the Centenary of Ireland's Partial Independence : Explorations in Arts Practice

Karin Fischer, Élodie Gallet et Thierry Robin : Afterword

This volume explores different aspects of Ireland, its history and cultural as well as artistic expressions, around the theme of the concert of nations, since independence and the partition of the country back in 1922. The angle chosen is at once historical, political and aesthetic. The two parts of the book – the political and the artistic – reflect the multidisciplinary approach of Irish studies in France, and the desire to give substance to this theme well beyond the most obvious question of international relations between states.The book follows in the footsteps of the Decade of Commemorations that marked the centenary of the events ranging from 1912 to 1923 in Ireland. It bears witness to the abundant historiographical and creative activity of the early twenty-first century. It examines the increasingly complex issues and imaginaries of migration and diaspora, on a planet that seems to be shrinking, reminiscent of the "global village" described by Marshall McLuhan as early as 1967, where socio-economic, political and environmental questions and crises arise and collide more dramatically than ever.

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