This book suggests selected papers presented at the 5th Computer Art Congress: Archiving and Questioning Immateriality.Contributions were focused on "How should we deal with artworks by taking into account their multidimensional nature: temporal, spatial, communicational...
Alessio Chierico – Art and materiality in post-media practice: toward an ontology of digital and its devices; Daniela de Paulis – OPTICKS, space travel and visual moonbounce; Gabriel Pareyon – Patterns of materiality/immateriality: dialectics in epistemology under the new scientific paradigm; Maciej Ozóg – Your Boy is You: new media art as a critical analysis of biometric surveillance; Christa Sommerer, Laurent Mignonneau – A personal media art archive based on the symbol of the fly; Maria Giulia Dondero – Using images to analyze images. Semiotics meets Cultural Analytics; Sandra Álvaro Sánchez – Art and data: the aesthetic emergence of knowledge; Pilar Rosado, Eva Figueras, Ferran Reverter – Letting images speak for themselves; Jung E. Choi – Materializing depth in Gravicells: the potential of twenty-first-century media; Annet Dekker – What we talk about when we talk about online cultures; Conor McGarrigle – Preserving born digital art : lessons from artists' practice; Andrea Sosa – At angle C: instability poetics. Participation aesthetics through the work of Julio. Le Parc and the Groupe de Recherche d'Art Visuel (GRAV); Andrés Burbano, Esteban García Bravo – Konrad Zuse: enabler of computational arts? Reynaldo Thompson, Tirtha Prasad Mukhopadhyay, Frank Dufour – The Latin American digital heritage: methods of digital art archive construction and the retrieval of immateriality; Alexandre Michaan, Nina van Doren – Archiving, emulating and documenting the collection of CD-ROM artworks of LIMA, Amsterdam; Luz María Sánchez – Vis. [Un]necessary force; Melanie Hundley, Teri Holbrook – Composing the future; Ricardo Dal Farra – Memory's death… or the desire of immortality; Shelley Hornstein – Beyond place: monuments and museums after the intangible turn; Gemma Argüello Manresa – Imagining spatially in Computer-Based Art; Gerry Kisil, Alan Dunning – Mirages de Ville; Thomas Storey – Quick and easy recipes for disaster; Franck Soudan, Marc Veyrat – FFF; Maria Luiza (Malu) Fragoso – We Bees: an immersive telematic object from project S.H.A.S.T.; Luba Diduch – The expanding artwork; A. Bill Miller, Jeremy Behreandt – Movement Systems from Motion Capture Data; Kevin S Badni – Effects of immediacy on the perception of interactive art; Federico Garrido – Central floorplans and digital strategies; Andrea Sosa – Projected illusions: space, light, and coordinates.
Art Exhibition
Alan Dunning – Mirages de Ville – First Words Last Acts; Chiara Passa – Dimensioning n.1 – from live architectures a VR experience thru google cardboard, 2016; Conor McGarrigle – 24 Hour Social; Daniel Buzzo – What do we know of time when all we can know for real is now? Gabriela Aceves Sepúlveda – Transferring female reproductive labor and ephemeral and domestic forms of writing into the Archive: Remediating Mamá Pina's Cookbook; Joana Moll – DEFOOOOOOOOOOOOOOOOOOOOOREST; Naoyuki Tanaka – MonkeyTURN; Mez Breeze – "T[he]Issue": a geospatial and mixed-locative colonisation document; Paul Magee – Metropolis; Paul Magee – Signal; Ricardo Dal Farra – Organic; Shu Lea Cheang – Composting the net (2012).
This book suggests selected papers presented at the 5th Computer Art Congress: Archiving and Questioning Immateriality.Contributions were focused on "How should we deal with artworks by taking into account their multidimensional nature: temporal, spatial, communicational...