Horea Poenar, " A World to Win. But in Whose Image? "
I. The Challenge of Community
Simon Harel, " Face aux littératures des Premières Nations " ;
Florin Poenaru, " We, the People!: Community, Populism and the Crisis of Political representation " ;
Alex Cistelecan, " Community Building in Post-historical Times " ;
Vladimir Bortun, " The EU is Naked: The Progressive Clothes of a Capitalist Project " ;
Horea Poenar, " Bad New World. The (Relative) Rebirth of the Commons " ;
Calina Parau, " Community and Togetherness after the Non-sharable " ;
Alexandru Matei, " De la métaphysique du "commun" au "comment vivre ensemble". Jean-Luc Nancy et Roland Barthes sur la communauté " ;
Aura Poenar, " Reconstructing Communities. ln Spite of all Machinery of Disimagination " ;
Corin Braga, " L'attaque contre l'individualité dans les antiutopies totalitaires modernes " ;
Diana I. Santiago, " Slaves and Slavery in the 19th Century Puerto Rican Literature " ;
Laura T. llea, " lnch'Allah : La honte et la "géographie de l'affect" " ;
Emmanuela Pustan, " On the Artistic Propensity of Pathology: Georges Didi-Huberman and the Invent ion of Hysteria ".
II. Communities at Work
Ioan Pop-Curseu, " Can Art (Re)build a Community? The Rosia Montana Case, between Past and Future " ;
Ruxandra Cesereanu, " Political Escapes from Prisons and Camps in the 20th Century: Antisystemic Mentalities " ;
Marius Lazar, " What Can Be Seen. Documenting the Transition Between Telling and Showing " ;
Carmen Borbély, " Communities under Erasure in Seamus Deane's Reading in the Dark " ;
Petronia Popa Petrar, " Written Com munit ies: lmagining Connection in Virginia Woolf's Novels " ;
Monica Alina Toma, " Dystopian Community in Lois Lowry's Novel The Giver " ;
Amalia Cotoi, " Mircea Nedelciu's Community of Tratament fabulatoriu " ;
Rare Moldovan, " The State of Play: Geektopia in Ready Player One " ;
Doru Pop, " Deterritorialized Cinema, Dislocated Spaces and Disembodied Characters in Bogdan Mirica's Câini " ;
Mihaiela llea, " Niche Structures in Television. Video PoetryVisually Reading the Reality " ;
Razvan Cîmpean, " Kafeidoscopic History. Visually Representing Community in Tarkovsky's The Mirror " ;
Cristina Popescu, " The Woman as a Misfit in Michefangelo Antonioni's Tetralogy " ;
Cristina Diamant, " Stranger(s') Voices at Home. The Many Faces of Cillian Murphy as the Misfit " ;
lulia Radac, " The Stance of the Writer in aTeenager's Book: Mircea Eliade's Romanul Adolescent ului Miop ".
